Abstract:
From the category “cultural memory”, the paper compares the works of different arts – a picturebook Kvity bilia chetvertoho (The Flowers beside the Fourth Reactor) by K. Mikhalitsyna and paintings of a representative of naive art, an artist M. Prymachenko. The paper explores the interaction of various arts based on Chornobyl’s issue within the comparative interpretation. The Flowers beside the Fourth Reactor by K. Mikhalitsyna narrates the life of M. Prymachenko and refers to her paintings devoted to Chornobyl. From the reception of fine arts, the writer’s picturebook raises verbilised and visualised issues of generations, memory, and nature conservation.
Description:
[1] K. Mikhalitsyna, Kvity bilia chetvertoho,
illustrated by K. Borysiuk, Portal, Kyiv, 2020.
[2] Multserial «Dyvotsvit», 1 epizod. URL:
https://www.youtube.com/watch?v=UCOYy7Ff4G
8
[3] M. Prymachenko, WikiArt, Entsyklopediia
vizualnykh mystetstv. URL:
https://www.wikiart.org/uk/mariyaprimachenko/all-works#!#filterName:all-paintingschronologically,resultType:masonry
[4] M. Vardanian, Literaturna heohrafiia
iliustrovanykh dytiachykh knyh (na materiali
ukrainskykh tvoriv ta perekladiv XX – XXI
stolittia), in: T. Cherkashyna (Ed.), Geography and
Text: a Literary Dimension: a monograph, V. N. Karazin Kharkiv National University, Kharkiv,
2022, pp. 17–40.
[5] M. Vardanian, Reading Chornobyl Catastrophe
Within Ecofiction, in: Children’s Literature in
Education 53, issue 1 (March 2022): 1–17. DOI:
10.1007/s10583-021-09437-w
[6] B. Voron, Chornobylskyi bestiarii Marii
Pryimachenko, in: Mystetskyi almanakh ARTES.
URL: https://artes-almanac.com/mariapryimachenko/
[7] N. M. Lishchynska, Porivnialna interpretatsiia yak
metod doslidzhennia, in: Pytannia
literaturoznavstva, vol. 75, 2008, pp. 329–335.
[8] Erll, Astrid, and Ansgar Nünning (Eds.), Cultural
Memory Studies. An International and
Interdisciplinary Handbook, De Gruyter, Berlin,
2008.
[9] U. Vaisshtain, Porivniannia literatury z inshymy
vydamy mystetstva: suchasni tendentsii ta
napriamy doslidzhennia v literaturoznavchii teorii i
metodolohii, in: D. Nalyvaiko (Ed.), Suchasna
literaturna komparatyvistyka: stratehii i metody.
Antolohiia, Vydavnychyi dim «KyievoMohylianska akademiia», Kyiv, 2009, pp. 373–
392.
[10] U. Vaisshtain, Vzaiemovysvitlennia literatury ta
muzyky: sfera komparatyvistyky?, in: D.
Nalyvaiko (Ed.), Suchasna literaturna
komparatyvistyka: stratehii i metody. Antolohiia,
Vydavnychyi dim «Kyievo-Mohylianska
akademiia», Kyiv, 2009, pp. 393–410.
[11] Y. Lotman, Do pobudovy teorii vzaiemodii kultur
(semiotychnyi aspekt), in: D. Nalyvaiko (Ed.),
Suchasna literaturna komparatyvistyka: stratehii i
metody. Antolohiia, Vydavnychyi dim «KyievoMohylianska akademiia», Kyiv, 2009, pp. 197–
210.
[12] M. Nikolajeva, S. Carole, How Picturebooks
Work, Routledge, London, New York, 2006.
[13] Scientific and Technical Library. Khustka yak
davnii symvol ukrainskoi zhinochnosti. URL:
http://library.nltu.edu.ua/index.php/novyny/968-
khustka-iak-davnii-symvol-ukrainskoizhinochnosti
[14] N. Pecherska. Fantastychni zviri, shcho rozbihlys
svitom, abo Chomu kartyny Prymachenko spravdi
kruti. Instytut Prosvity. URL:
https://iprosvita.com/fantastychni-zviri-shchorozbihlys-svitom-abo-chomu-kartynyprymachenko-spravdi-kruti/