dc.contributor.author	Бондаренко, Анжеліка Володимирівна
dc.date.accessioned	2018-01-05T07:31:30Z
dc.date.available	2018-01-05T07:31:30Z
dc.date.issued	2016
dc.identifier.citation	Bondarenko A. The performance aspect of choral pieces analysis at individual classes for choral conducting / A. Bondarenko // Edukacja XXI wieku. Patologie educacji: ideologia, polityka, biurokracja. - Poznań, 2016. - 421 s.	uk
dc.identifier.uri	http://elibrary.kdpu.edu.ua/handle/0564/1661
dc.identifier.uri	https://doi.org/10.31812/0564/1661
dc.description	1. Levando P., 1984, Choral texture, Leningrad. 2. Neuhaus H., 1987, On the art of piano playing, Moskow. 3. Skrebkova-Filatova S., 1985, Texture in music: The artistic possibilities. Structure. Functions, Moskow.
dc.description.abstract	A choral conducting training is performed at the faculties of culture and arts which train the students in music and teaching specialties. Different types of choral texture are studied in the process of the individual work of a teacher with a future teacher of music at the classes of "choral conducting", where students are taught great amount of pieces of music of different epochs, styles and genres. It includes the consideration of choral texture components and their specific characteristics and theme functions aimed at presenting the timbre and vocal-technical reserves for the choral sections in the system of musical and artistic techniques, as well as at the search of the unused reserves in the idea and intonation structure of a choral music piece.	uk
dc.language.iso	en	uk
dc.publisher	Wydawnictwo Wyższej Szkoły Bezpieczeństwa	uk
dc.subject	artystyczna oświata	uk
dc.subject	przysły nauczycieli muzyki	uk
dc.subject	faktura choralna	uk
dc.title	The performance aspect of choral pieces analysis at individual classes for choral conducting	uk
dc.type	Article	uk